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Murder Your Employer: The McMasters Guide to Homicide

A New York Times bestseller! From Edgar Award–winning novelist, playwright, and story-songwriter Rupert Holmes comes a diabolical thriller with a killer concept: The McMasters Conservatory for the Applied Arts, “a fantasy academy laid out like a combination of Hogwarts, Downton Abbey, and a White Lotus–style resort” (Los Angeles Times) dedicated to the art of murder where students study how best to “delete” their most deserving victim.

Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate…and where one’s mandatory graduation thesis is getting away with the perfect murder of someone whose death will make the world a much better place to live.

Prepare for an education you’ll never forget. A “fiendishly funny” (Booklist) mix of witty wordplay, breathtaking twists and genuine intrigue, Murder Your Employer will gain you admission into a wholly original world, cocooned within the most entertaining book about well-intentioned would-be murderers you’ll ever read.

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Murder Your Employer: The McMasters Guide to Homicide

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Murder Your Employer: The McMasters Guide to Homicide

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Overview

Notes From Your Bookseller

We've all dreamed of exacting revenge on our mortal enemies — whether it be your boss, neighbor, or that one guy who always cuts you in line at the deli — and this is a world where those dreams become reality. Perfect for fans of The Thursday Murder Club and Anthony Horowitz.

Product Details

ISBN-13:	9781451648225
Publisher:	Avid Reader Press / Simon & Schuster
Publication date:	04/30/2024
Pages:	416
Sales rank:	390
Product dimensions:	5.50(w) x 8.30(h) x 1.30(d)

About the Author

Rupert Holmes’s New York Times bestseller, Murder Your Employer (the first volume in his new McMasters Guide to Homicide series), was also a Top Ten on the Indie Bestseller List, the Washington Post, Los Angeles Times, Houston Chronicle, and Associated Press. Holmes has received two Edgar Awards from the Mystery Writers of America, and multiple Tony® and Drama Desk Awards for his Broadway mystery musicals, including Curtains and his Tony® award–winning Best Musical The Mystery of Edwin Drood. His first novel, Where the Truth Lies, was nominated for a Nero Wolfe award for Best American Mystery Novel, was a Booklist Top Ten Debut Novel, and became a motion picture starring Colin Firth and Kevin Bacon. His second novel, Swing, included his own original, clue-bearing musical score. His stories have been anthologized in Best American Mystery Stories, On a Raven's Wing, A Merry Band of Murderers, Dead Man’s Hand, and Christmas at the Mysterious Bookshop. Holmes has adapted Agatha Christie, John Grisham, and R.L. Stine for the Broadway and international stage. His lyrics have been published in Ellery Queen Mystery Magazine and EQ anthologies, and he is also the writer/vocalist of several Top Ten hits, including his Billboard #1 multi-platinum classic with a memorable twist-ending: “Escape (The Pina Colada Song).”

Read an Excerpt

Chapter I

FROM THE JOURNAL OF CLIFF IVERSON

Although I don’t consider myself particularly vain (except perhaps for considering myself more often than I should), I was pleased to have conceived such an expert murder, especially since I’d never previously considered committing one.

My first year at Caltech I had initially pursued a dual major of aeronautic design and English literature, which was sort of like going to Juilliard to study piano and field hockey. As a man without a penny or parent to my name, I was quickly notified that the more-than-generous scholarship I’d been awarded was to develop my budding skills at design and not for any designs I had on deathless prose.

I imagine there are a lot of people out there like me who discover they have a skill at something they like rather than love. But most of us have to earn a living, which is probably why there are any number of accomplished urologists in the world. (And if my sponsor who is reading this journal happens to be an accomplished urologist, thanks for your kindness up until this last sentence and I’ll start packing my things now.)

Eventually Caltech led me to MIT, which led me to aircraft manufacturer Woltan Industries, which led me to homicide. This was not entirely MIT’s fault. I don’t even blame Woltan that much, except for their choice of senior executives, one being my supervisor Merrill Fiedler, who needs to die.

Please understand that by nature I oppose all senseless killing… but in Fiedler’s case, murder makes perfect sense.

I have no idea if you know me personally, dear sponsor. If you don’t, let me simply say my looks have been described by some as studious and by my myopic aunt as handsome, but this matters little where this journal is concerned, for on the day my relationship with McMasters began, my face was concealed by an unfashionable fedora with its brim pulled low, a wig and false beard of straggly gray hair, and a pair of MacArthur-style sunglasses, at a subway station in Midtown Manhattan. My tall frame was cushioned like a department store Santa by a long vest of padding that amply filled a trench coat four sizes larger than my own.

I maneuvered my newly cumbersome form as daintily as Oliver Hardy doing a soft-shoe with Stan Laurel, passing through the gauntlet of a turnstile and down concrete steps onto the subway’s uptown platform, and discovered with satisfaction that my target was standing exactly where I’d wanted him to be: Merrill Fiedler, a crisply groomed success story in his early fifties, in town on business for Woltan’s Baltimore plant, where he’d been my supervisor. He was currently thumbing a magazine by a newsstand at the south end of the platform only a few yards away from me, precisely as I’d managed to contrive. I needed Fiedler positioned on the platform where uptown trains entered the station. At the far end, the train would already be braking to a halt and might not deliver an instantly lethal blow.

I know. I’m such a nice guy.

But it was the train that would kill Fiedler, I told myself for the hundredth time, knowing this to be the shabbiest of self-deceptions. I had all the intent of a killer but not the soul. Guns, knives, poisons… these were murder weapons, all of which I’m too inexpert or squeamish to wield with any guarantee of success. But I’d also ruled out poisons and all other arms-length methods that had sprung to mind, for they seemed too calculated and detached, requiring the meticulous planning of a certifiable psychopath. Then the notion of giving Fiedler one good, hard shove had come to me. Yes, I could probably manage that, particularly after having to restrain myself from doing so for the last three years, each time Fiedler savaged another helpless employee. A shove, a push, a jostle seemed very unlike an act of murder. It was simply what might happen at the beginning of a good old-fashioned barroom brawl, before someone in authority called out, “Now-now, boys, there’ll be none of that here!” One justifiable shove for all the demeaning, degrading insults and condescending sneers Fiedler flayed and spewed in all directions each workday.

The telling difference would be that this particular shove would occur while Fiedler was standing at the edge of the platform as the IRT train bulleted into the station.

It was the train that would kill Fiedler.

I had also further reasoned that shoves don’t have to be registered with the authorities. One can’t test-fire a shove and trace it back to its origin, there’s no entry wound revealing its angle, nor does it leave telltale residue. Yes, I might leave a bruise mark, but the oversized leather gloves I was wearing would conceal the size and shape of my hands, not to mention my fingerprints.

In its oafish way, it really was a pretty well-constructed murder method. To any witness on the platform, I was a bulky man in a trench coat at least fifty pounds heavier than my real weight, face obscured by my hat brim, dark glasses, false gray hair and beard. Sure, maybe I looked laughable, a man who might even be remembered by witnesses, but certainly not anyone who resembled myself. I peered over the top of my sunglasses, wondering who such witnesses might be. A few steps away a drab, slouch-hatted man with features and complexion as hard and dark as onyx was waging a duel of wits with a Chiclets vending machine. An elderly nun stood alongside the stairs I’d just descended. A short, muscular fellow directly to my left licked the tip of a pencil stub while laboring over a tabloid’s crossword puzzle.

A piercing metallic squeal sounded from somewhere down the tunnel like a tin pig being dragged by a chain through a steel slaughterhouse. I could hear my heart now and feel it pulsing in my wrists and temples. From my research I already knew that this ear-splitting screech occurred eleven or twelve seconds before a train on the northbound track burst into the station. If I were really going to do this unthinkable thing, it had to be now. My target would never be more perfectly in place, thanks entirely to my own ingenuity.

How I wished at this moment I could whisper in Fiedler’s ear the same words I’d spat at him on that last degrading afternoon in the Woltan employee parking lot. I’d approached my car to discover Fiedler standing at its rear, arms folded and security guards at his elbows. They’d clearly forced open the trunk and spread out for display the sober black-and-yellow-striped folders reserved for Woltan designs, whose removal from the premises was forbidden. Scattered atop them were a litter of American Communist Party pamphlets laid out for my peers to see, as if the parking lot was hosting a rummage sale. Fiedler had planted them, of course, and he informed me in his most officious voice that I was in breach of the Industrial Secrets clause in my contract, Jacek Horvath and I were no longer employed by Woltan, a report had already been telexed to New York and Munich, and I’d soon be thoroughly discredited and persona non grata in the industry.

I heard my voice but didn’t recognize it. “The things you do to people, Fiedler…” I flailed. “One day you’ll get what’s due you.” Yeah, that sure showed him.

“I have gotten what’s due me,” Fiedler answered evenly. “That’s why they made me your boss. And sometimes those in charge have to do unpopular things. Surgeons cut people open. Generals order men to their death—”

“We’re not patients or soldiers!” I yelled. “We just work here. And when we took our jobs nobody said, ‘Incidentally, the real reason we’re hiring you is because we have this one executive whose ego takes priority over the well-being of everyone else.’ It isn’t as if the company had been searching for a house bully and you came highly recommended. Someday I hope it gets knocked into you how you made decent people dread going to work.” I looked at the other employees hovering by their cars; they all seemed to have taken a sudden interest in their shoes. At least Cora wasn’t seeing this low point in my life… but of course, that was only because her own life was over.

“The results speak for themselves, and for me,” Fiedler replied with maddening self-assurance. “We’re number one in the region.”

“Anything good we did on the job would have happened without you. The 1950s are going to be boom years for companies like Woltan, all you’ve achieved is making life harder for all of us!” I moved to square off with him but the security guards blocked my way. “Woltan’s a good fit for you, but you’d be as happy running a prison or a hospital, you wouldn’t care. You just need to be The Boss.”

But now, on the subway platform, Fiedler had no security guards, and the train would soon be upon us or, more importantly, upon Fiedler. The curved rails leading from the subway tunnel into the station were beginning to glow where the long beam of the front car’s headlight was hitting them. I was about to become a murderer.

Who’d have thought my life would have come to this? The only law I’d ever knowingly broken was white wine with steak… What would Cora think of me, in this ridiculous costume and about to do this unspeakable thing? I shook off second thoughts by picturing the horrified passengers on the W-10, that I’d designed, as its cabin suddenly went dead quiet, its electrical power as lost as every soul on board, its stabilizer locked and gently tipping the plane’s nose toward the ground ten thousand feet below. If I hesitated now, surely I’d never have this chance to save them again.

My intended victim was looking down the tunnel, impatient for the arrival of the train that would kill him. I eased up behind him, my brain madly replaying images of the damage he’d already done or might do. Push him. For Cora, for my friend Jack Horvath found dead in a filthy city park, for every unlucky worker whose life Fiedler had ruined or spirit he’d smothered, for the children who might fly on a W-10 someday trusting their parents had known what they were doing when they’d purchased their tickets. Rage built in me until it was not now just about Fiedler but all that was wrong in the world, with the remedy requiring nothing more than ramming this pompous peacock as the train rocketed into the station.

No longer in control of what I was doing, I lowered my shoulder and drove my body into Fiedler’s left side like a halfback making a crucial block. With that impact, I joined the ranks of those who have killed, from Cain to soldiers defending their homeland, from the guard pulling the switch at Auburn prison to children stepping on centipedes, some with society’s blessing and monuments built in their name, others cursed by their species and deposited in unmarked graves.

The angle of my shove did not let me see Fiedler’s face, and I ricocheted away like a carom shot in billiards as I heard cries of alarm. I felt strangely uninvolved in what had happened, my only thought now being to vacate the platform, rush up the stairs through the nearest turnstile and, as per my plan, head for the revolving door on the far side of the station into the understaffed bargain basement of Brandt’s Department Store. Once inside, I threaded my way through a maze of haberdashery display tables and entered a portal leading to the men’s changing rooms. Inside one of the tiny cubicles, I pulled the gloves from my hands, stripped off my coat, beard, wig, and padding, brazenly leaving them on the wooden bench beside me. In the unlikelihood that anyone would connect these clothes with the regrettable accident on the subway tracks, they surely couldn’t be linked to me, as I’d purchased each item at different Army & Navy stores around the city only the day before. I allowed myself two seconds to straighten my hair and appraise my demeanor in the changing room’s mirror. Not the face of a killer, I thought. No triumph in my expression, just the sadness of knowing my life would never be the same.

I left the changing room and feigned passing interest in a display of wool ties as if I had all the time in the world, then deftly stepped onto the escalator up to the ground floor. A breathless salesman sprayed me with a sample of cologne, but I shrugged him off with a breezy “Not today, thanks!” and allowed the store’s ever-revolving door to scoot me out onto the sidewalk. Face down, I entered the thick of seething pedestrians, all with missions of their own but surely none like the one I’d just completed. I envied them their easier burden, my newly minted secret being a leaden knapsack I bore to the grandly outmoded Van Buren Hotel and Ballrooms where I was staying. Once in my room and more exhausted than I’d ever known, I fell upon the thin blanket on my undersized bed in what could best be called a swoon, and slept with the solace of knowing I’d committed a perfect murder.

A few minutes later, the phone in my room rang.

I reached for the receiver, reassuring myself that absolutely no one on earth knew I was registered at this hotel, so the call could not be personal. “Yes?”

“This is the front desk, Mr. Williams.” (Williams had been the blandest name I could think of after Smith or Jones, easily forgettable unless one’s first name was Ted.) “Some detectives from the police are on their way up to see you. They said not to tell you, but I’m doing so as a hotel courtesy. Should they ask, I didn’t tell you.”

I heard the rolling back of the elevator door down the hall and, before I could imagine a more innocuous reason why the police would wish to visit a stranger to New York only a few minutes after he’d murdered someone, I heard three not very polite pounds on the door, followed by “Police, Mr. Iverson! Let us in.”

Jesus, I thought—I have my spiritual moments given the right circumstances—they know my real name! My mouth went instantly dry as if a cup of flour had been tossed down my throat. How, how could they possibly know who I was? The only other way out of the room was the fire escape to the street eight stories below, and with flight being evidence of guilt, I summoned all the bravado left in me and discovered there was none. I felt both corners of my forced smile twitching like a jumpy nerve as I opened the door. “Yes?” I asked, striving for the puzzled tone of a model citizen.

I found myself inspected by a charcoal-faced man in a slouch hat and gray suit. His cheap tie looked like an obligatory birthday gift from an unloving wife. He showed me a billfold designed solely for the purpose of displaying a badge bearing the seal of New York City. “Captain Dobson,” he said, saving me some reading. “This is Sergeant Stedge.”

Stedge was a short, muscular man inadequately contained by the seams of his rayon suit. He sported an identical tie to the captain’s, indicating either that he was having an affair with Dobson’s unloving wife or that they’d bought their ties at the same store from a display labeled “None Over a Quarter.” The handle of a police revolver peeked from behind his left lapel where it nestled uneasily in an ill-fitting shoulder holster.

“Where were you the last hour or so?” Dobson asked without preamble.

Despair set a place for itself at the table. Was it always this easy to catch a murderer? One sentence in and we were already at the opportunity stage. “At the newsreel movie theater in Grand Central.”

“What did you see?”

I pretended to search my mind. “Uh, Tom and Jerry cartoon, newsreel, travelogue about Morocco, Three Stooges, short subject on glassblowing.”

“Anyone see you there?” asked the sergeant.

“No, I’m from out of—wait.” Trying to sound spontaneous, I moved to the tiny dresser across from my single bed. “There,” I said, pointing to my watch, wallet, and a fragment of thin red cardboard. “I still have my ticket stub.”

Dobson had not taken his eyes off my face, but it seemed safe to assume he didn’t have a schoolboy crush on me. “Were you planning to ask why I want to know where you were?” he asked with genuine curiosity. “See, usually when I ask someone for an alibi, they want to know why.”

“Well, I assume there’s been some crime committed in the hotel and you’re talking to all the guests,” I said casually. “But yes, I would like to know what this is about.”

Dobson picked up the ticket stub. “Someone pushed your boss into the path of an IRT subway train today.”

“My God!” I reacted. It may not have been the very best reading anyone’s done of that line.

“You must really have enjoyed the Three Stooges,” he continued. “I don’t know many people who save their ticket stubs as souvenirs. If you’d found it in your pants pocket with some lint attached to it, I’d understand. But there it is, proudly sitting with your watch on the dresser when there’s a wastebasket right next to it. Why would you hang on to it, unless you wanted proof of your alibi?”

“I don’t know. Haven’t you ever emptied your pocket, found an old gum wrapper, and didn’t throw it away?”

“No, not really,” said Dobson. “But maybe that’s me. And maybe this is you.” From his breast pocket he produced a larger translucent envelope containing a pair of MacArthur sunglasses identical to those I had bought the day before.

So I was sunk. If Dobson knew enough to show me those sunglasses, then he had me dead to rights. I wondered if they planned to arrest me here and now. I sure would have liked a last beer before going to prison. I doubted they had beer in the death house. Certainly not draft. Suddenly, life imprisonment and a job in the library sounded like a vacation in sunny Madrid.

My eyes went to the hotel room window.

“There’s a man posted at the bottom of the fire escape,” Dobson mentioned helpfully. “Now about these glasses. And your… disguise.” His voice put the word in quotes. “See, a good disguise is shaving off a beard you’ve had for five years. Or if you’re a nun, wearing lipstick and eye makeup. Even just looking ho-hum is pretty useful. If I ask someone for a description, and they say average, I have no idea what to do with that. But if they say a man wearing sunglasses on a subway platform, in a padded coat, fedora, and false whiskers… well, I may not know what you look like, but if I can find your disguise, I’ve got you.”

“I have no idea what you’re talking about.”

“You bought a ticket at the newsreel theater early this morning, watched until the hour of short subjects repeated itself, got into your clever camouflage, somehow lured Fiedler onto the subway platform—I’ll give you an A for that—then you did your nasty little deed and raced into the basement level of Brandt’s to lose your disguise. Ever hear of shoplifters?”

Sergeant Stedge answered the question for me. “Brandt’s has. People pinch something, step into a changing room to remove the price tags, and hide the goods on their person. So the store will post operatives posing as shoppers near the changing rooms, to watch for customers who exit a little larger than when they went in.”

Dobson explained, “But a friend of mine, Dave Vlastnoff—retired cop, works for Sentry Security—saw a bulky, bearded man enter an otherwise empty changing room and a minute later the lone occupant departed clean shaven and a lot lighter. He followed you up the escalator and, pretty brilliantly, sprayed you with a new cologne that’s available only at Brandt’s.”

I managed to bleat, “I’d like an attorney.”

“So would my kid sister but she settled for a plumber,” answered Dobson. “By the way, in your eagerness to remove your mystifying disguise, you must have taken your gloves off first, leaving a pristine print on the sunglasses’ right lens. So: a man in a ridiculous disguise pushes your former employer into an oncoming train, your fingerprints are on the glasses and in the cubicle where you removed the clothes, a professional security guard followed you from the changing rooms to here, and by the way, we’ve had a police Labrador brought to the lobby who’s decided he loves the cologne you were sprayed with and can’t wait to meet you.”

“The name is Wanderlust,” Stedge offered helpfully. “The cologne, I mean. The Labrador’s name is Roscoe.”

I sat on the bed without realizing I’d done so. “I have nothing to say.”

“I do,” said Dobson. “You’re under arrest for the attempted murder of Merrill Fiedler.”

“Attempted?” I bolted to my feet. “He’s not dead?”

Dobson and Stedge looked at each other with infinite pity as I realized the words “He’s not dead?” could be used against me in a court of law. Despite the miraculously good news that I’d evaded the electric chair, the nearly-as-bad update was that I’d be going to prison for attempted murder while Fiedler was alive and free to be a menace to the world.

Dobson consulted his sidekick. “Coupled with the physical evidence and obvious premeditation, what would you figure he’s got coming?”

Stedge’s shrug threatened the stitching of his jacket. “Maybe twenty years, and if you ask me, it ought to be without parole. I mean, amateur killers are a danger to the public. Somebody could get hurt.”

I decided I’d nothing to lose and, adopting a look of defeat, held out my wrists to Stedge, right atop the left. “Go ahead, cuff me,” I said with what I hoped sounded like resignation. Stedge seemed to approve my wisdom and, as he reached for a pair of handcuffs in his pants pocket, I lunged forward and my already outstretched right hand yanked Stedge’s .38 from the loose nest of his shoulder holster. “Okay, both of you freeze and I won’t need to hurt you,” I warned. “Now I’m backing out of this room with the gun pointed at the doorway, and you’re staying here while I take the elevator to the lobby.” Actually, I planned to take the fire stairs to the second-floor ballroom, which surely would require access to the hotel’s kitchen, and from there to a service entrance onto the street. But there was no need to tell them that.

Stedge gently counseled, “Uh, the safety catch is on, Cliff.”

I reflexively looked down at the gun as Dobson interjected, “No, the sergeant’s pulling your leg. Revolvers don’t have safety catches.”

Stedge disagreed. “Smith and Wesson Model 40 does.”

“That’s a grip safety.”

“It’s still a safety,” said the sergeant, adding, “Oh, and Cliff? The gun isn’t loaded. But the captain’s is.”

I turned to see Dobson with an identical .38 trained on me. Dobson explained, “The sergeant likes to make his empty gun a tempting prospect. Trying to steal an officer’s weapon is further evidence of guilt.”

I pointed the gun toward the bathroom and pulled the trigger. Its click was humiliating.

“Give my sergeant back his weapon and we won’t mention this awkward incident in our report,” Dobson suggested.

I handed Stedge his gun. “I was never going to shoot either of you,” I said, as if they might wish to understand me better. “There’s only one person in the world I want to kill, and I thought if I could get away from you, I might have a second chance.” I looked at their passive faces and mumbled, “You can’t understand.”

“Sure we can,” said Dobson. “Fiedler’s a thug who controls and manipulates everyone around him for pleasures sadistic or sexual, or for successes that boost his career. Sometimes he can pull a hat trick and score all three. He’s robbed you not only of your promising career but also of a woman you had a thing for and a friend you genuinely liked. And he’s covering up a major defect in a modification he made in your design that sooner or later could result in a terrible end for a lot of innocent people. What else could lead a decent guy like you to attempt murder?”

I was stunned. “How… could you learn all that just in the time since—”

“Oh, we’ve taken a personal interest in you for weeks. We were on the platform when you pushed Fiedler.” He nodded toward Stedge. “The sergeant here was the heroic passerby who yanked Fiedler away from the tracks.”

I looked at Stedge and said, bitterly, “I guess I should have tried to kill you first.”

The two men apparently found this amusing, but then Dobson inquired in a more serious tone, “So tell me, Cliff: No regrets for what you did?”

I tried to retrieve a remnant of dignity from this fiasco. “Only that I didn’t do it right.”

Dobson’s response was yet another surprise. He hit me between my shoulder blades with the flat of his hand, like a congratulatory slap on the back. “That’s the right attitude!” he enthused. “You gotta get right back on, just like falling off a horse.”

“Which is a great way to kill someone, incidentally,” added the sergeant in a helpful manner.

They both looked almost pleased with me, as if I’d successfully completed some unholy hazing ritual. I sputtered, “What… what kind of policemen are you?”

“The best where you’re concerned. Excommunicated.”

“The badge you showed me is fake?”

“Real but expired. Eighty-Third Precinct out of Bushwick.”

Stedge took a tiny gunmetal flask from his breast pocket. “A man we had in custody also expired, that’s why we got defrocked,” he explained. “He was a wealthy child molester who went free by paying off the right jurors. We were driving him back to his estate in Alpine, New Jersey, but he stopped in Edgewater, because that’s where people stop when they fall off the Palisades cliffs.” Stedge smiled as if this explained everything, stepped into the room’s tiny bathroom, and took a tumbler from the sink.

“So… you’re not going to arrest me?” I asked, feeling a multitude of angel feathers brushing my face as I rose from an abyss into radiant light. “What about Fiedler?”

“I showed him my shield and explained there’s been a rash of subway shovings,” said Dobson. “Told him we were hot on the heels of the perpetrator.”

“Which we were,” said Stedge, pouring the contents of the flask into the tumbler.

“Then I’m free to go?” I asked in disbelief.

Dobson’s features became dour again, obviously their default position. “And try to strike again, just as ineptly? The hell with that. You’re in desperate need of some schooling.”

The sergeant produced a half-pint bottle of Early Times from his hip pocket and topped off the tumbler’s unknown liquid with a generous slug of the bourbon. He stirred the contents with his pinky and handed me the murky bathroom glass. I stared at the tumbler and commented, “And so beautifully presented. How do I know it’s not poison?”

“You don’t. You just have to take our word,” Dobson acknowledged.

“Shame on me for doubting you after all the minutes we’ve known each other!” I said, scolding myself. “Then again, if you’d handed me poison a moment earlier when I thought I was under arrest, I probably would have drunk it.”

“It’s a kinder version of a Mickey Finn,” explained Dobson. “With our assistance, you’ll just be able to make it through the lobby and into a cab. After that, you’ll be leaving everything to us. Down the hatch.”

Foremost in my mind was that Fiedler was still living, but also living in ignorance of my desire to kill him. If I refused to do what these ex-cops said, they could turn me in, and that would be the end of that. Better to give Dobson and Stedge the impression that I was cooperating, find a way to break free, and take a second stab at killing Fiedler, perhaps literally. I drank the potion with the abandon of a Dr. Jekyll who’s just learned that a fortune has been bequeathed to any man named Hyde.

“Oh, and when you wake,” added Dobson, “your head will be bandaged so you can’t see where you are. Don’t panic. When new students regain consciousness, they sometimes think they’ve gone blind, or worse.”

What was he talking about? “Students…?”

“All in good time,” said Dobson. “You’re getting a reprieve.”

From the B&N Reads Blog

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Murder? Perish the Thought!: A Guest Post from Rupert Holmes

Quick — think about that one person you’d just kill to get revenge on — even deadly revenge. Murder Your Employer provides a school for exactly that; explore the McMasters campus and choose your quarry carefully. But first, enjoy Rupert’s exclusive essay on our latest monthly pick, down below. If you could irrevocably remove one […]

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Holmes is a gifted wordsmith whose latest is a top-notch read that both entertains and amuses. . . . Delightfully wicked . . . An amusing and cheeky tale with excellent pacing replete with droll observations.” —Library Journal (starred review)

“This will be one of the funniest books of the year.” —CrimeReads, “Most Anticipated Crime Fiction of 2023”

“If the illustrations of Edward Gorey came to life, they would be in the same neighborhood as this ‘Poison Ivy League’ college. . . . Although this beautifully designed DIY manual is full of twists, the emphasis is on comedy . . . but the extraordinary Holmes can pull the heartstrings too. . . . You will love this gigglesome guide to the graves of academe.” —The Times (London)

“How has no one thought of this before? Murders set at an imaginary academy set up to train murderers . . . Holmes delights in wordplay that includes puns, literary terms, cultural references, and twists. . . . As Holmes takes hairpin turns from irony back to sincerity for his three McMasters pupils, his zany storytelling will delight fans of The Twyford Code by Janice Hallett, all Sherlock Holmes stories, and even those who love tales of arcane and Gothic institutions.” —Bethanne Patrick, NPR

“A funny, fast-paced, flip-the-playbook mystery in which three ordinary citizens are trained in murder on a luxurious hidden estate . . . a fantasy academy laid out like a combination of Hogwarts, Downton Abbey, and a White Lotus–style resort. . . . Holmes can clearly do anything.” —The Los Angeles Times

“Edgar winner Holmes frames this cheeky 1950s-set crime novel as a self-study guide for those who can’t afford tuition to the McMasters Conservatory for the Applied Arts, a ‘finishing school for finishing people off’ . . . [the] farcical plotting, idiosyncratic characters, and witty, stylish prose combine for a fun, frothy read. Fans of humorous historical fiction will be well entertained.” —Publishers Weekly

“Highly entertaining . . . This clever novel imparts revelations from the clandestine McMasters Conservatory, which provides students of all ages with a well-rounded education on the necessary skills to complete their ‘final thesis’ . . . Warning: readers could die laughing.” —Shelf Awareness

“From the fiendishly funny hand of the Edgar- and Tony-winning Holmes (The Mystery of Edwin Drood) . . . [this] thriller is delightfully dark and compelling. . . . Perfect for readers looking for something very different.” —Booklist

“Mega-talented Rupert Holmes has mastered just about every entertainment genre with the awards to prove it. . . . Holmes dips back into the mystery genre with the droll, tongue-in-cheek Murder Your Employer: The McMasters Guide to Homicide . . . [turning] the genre upside down by making us root for the killers. . . . The brisk plot smoothly stays on point while Holmes adds bits of farce, quirky characters and a style and sense of place that evoke the 1950s. Murder Your Employer is enhanced with illustrations by Anna Louizos, who designed the sets for the Broadway production of the musical Curtains.” —Sun-Sentinel (Ft. Lauderdale)

“A case study in the droll amusements of homicide, Rupert Holmes’s send-up of higher education and even higher crimes and misdemeanors will keep you up at night—alternately turning pages and checking to make sure the front door is locked.” —Gregory Maguire, author of Wicked

“With dry humor and an eye for hidden clues, Rupert Holmes imagines a secret Hogwarts-like school that teaches the fine art of pulling off the perfect (and perfectly deserved) murder. An utterly creative and deliciously diabolical read.” —Alafair Burke, New York Times bestselling author of Find Me

“A college with a degree in Homicide? Only Rupert Holmes could make murder laugh-out-loud funny. This book isn't clever—it's fiendishly clever. And the twists and tricks and endless surprises make me want to sign up for another semester!” —R.L. Stine, author of Goosebumps and Fear Street

“A delightful introduction to the McMasters Conservatory . . . To better understand McMasters, consider it the Harvard of Homicide, the Stanford of Stabbing, or the Princeton of Poisoning. . . . Holmes’ newest novel is a satirical masterpiece. His wry wit and sarcastic sense of humor are on full display. As a mystery writer, Holmes executes misdirection expertly, leading the reader in several directions at once. His stabbing commentary on academia is cut-throat. Holmes kills it in this entertaining tale. For readers looking for a fast and fun book that will slay your funny bone, check out Murder Your Employer. All puns intended.” —Portland Book Review

From the Publisher

11/28/2022
Edgar winner Holmes (Swing) frames this cheeky 1950s-set crime novel as a self-study guide for those who can’t afford tuition to the McMasters Conservatory for the Applied Arts, a “finishing school for finishing people off” whose location is kept secret from even those enrolled. The book-within-a-book’s author, McMasters dean Harbinger Harrow, chronicles the experiences of three students to educate at-home pupils by example. Baltimore engineer Cliff Iverson, British hospital worker Gemma Lindley, and incognito Hollywood star Dulcie Mown may hail from different walks of life, but all are at McMasters for the same reason: to learn how to kill their sadistic employers without getting caught. Harbinger warns from the start that not all three students will succeed in their respective missions, fostering a sense of mystery surrounding who fails, why they fail, and how spectacularly. Though the book feels overlong, sapping some of its drive, and Holmes never fully commits to his conceit, his farcical plotting, idiosyncratic characters, and witty, stylish prose combine for a fun, frothy read. Fans of humorous historical fiction will be well entertained. Agent: Jennifer Joel, ICM Partners. (Feb.)

Publishers Weekly

Highly entertainin…Warning: readers could die laughing.”

Shelf Awareness

Delightfully dark and compelling.”

Booklist

★ 06/10/2024
Edgar Award-winning Holmes (Swing) uses witty wordplay and grim humor as the basis for an elaborately detailed story about three students at a most unusual school. The McMasters Conservatory for the Applied Arts is a secret academy for would-be murderers. This highbrow institute would never use a word so crass as "murder"; instead, its claims that its mission is to educate students on how to ethically "delete" those who meet their criteria. Students leave the school as fully accredited graduates with a final "thesis" project in the real world—and the completed thesis is often displayed in an attractive urn. Told through multiple story lines, the novel follows aeronautic engineer Cliff Iverson, who has been sponsored by an anonymous benefactor to attend the conservatory. Initially appalled by the institute, he attempts to escape but then settles into becoming a star pupil. Two other story lines include characters hoping to delete employers. Holmes's novel creates a richly atmospheric 1950s setting, and narrators Simon Vance and Neil Patrick Harris romp through the material, seemingly having a ball as they deliver the puns and cheeky quotes with perfect pacing and gusto. VERDICT Vance and Harris are a listener's dream team. This rollicking mystery is a must-purchase for all libraries.—Christa Van Herreweghe

Library Journal - Audio

★ 12/01/2022
Holmes (Swing: A Mystery) is a gifted wordsmith whose latest is a top-notch read that both entertains and amuses. Many have fantasized about killing their boss, but few feel adequate to do the job. The sole purpose of the McMasters Conservatory for the Applied Arts is training students to dispose of odious employers and get away scot-free. The school stresses that the task must only be committed after you have given your intended victim every chance at redemption, This delightfully wicked tale chronicles the adventures of three students: Cliff blames his former boss for the death of a woman he loved; nurse Gemma is being blackmailed by her superior; and film star Doria has been put on the back burner by a vengeful studio executive. The three are schooled in everything from poisons to disguises and are even offered a class entitled "Eroticide." As the story line deliciously unfolds, the three aspiring killers study hard and reenter the world with their "deletion plans" ready. Told in alternating chapters among the three students, as well as narration by the school's charming dean, the book's satisfying conclusion is just as delightful as its premise. VERDICT An amusing and cheeky tale with excellent pacing replete with droll observations.—Amy Nolan

Library Journal

The narrative talents of Simon Vance and Neil Patrick Harris combine to present this unusual mystery set in a 1950s school that specializes in teaching how to "morally" murder and escape the consequences. Listeners meet three students: engaging Baltimore engineer Cliff Iverson (the standout), a sweet-natured English nurse, and a feisty Hollywood actress. Vance's more mature and Harris's younger voices capture the diverse cast to perfection, and the story includes fitting puns, lively jokes, and exceptional wordplay. In addition to learning methods to inventively delete (murder) deserving victims, cleverly rendered quotes from the school's handbook offer further diabolical fun. The action and spirited renderings amp up as each student must successfully delete their intended victim OR be eliminated by the school. An unanticipated climax will have listeners cheering. S.G.B. © AudioFile 2023, Portland, Maine

MARCH 2023 - AudioFile

The narrative talents of Simon Vance and Neil Patrick Harris combine to present this unusual mystery set in a 1950s school that specializes in teaching how to "morally" murder and escape the consequences. Listeners meet three students: engaging Baltimore engineer Cliff Iverson (the standout), a sweet-natured English nurse, and a feisty Hollywood actress. Vance's more mature and Harris's younger voices capture the diverse cast to perfection, and the story includes fitting puns, lively jokes, and exceptional wordplay. In addition to learning methods to inventively delete (murder) deserving victims, cleverly rendered quotes from the school's handbook offer further diabolical fun. The action and spirited renderings amp up as each student must successfully delete their intended victim OR be eliminated by the school. An unanticipated climax will have listeners cheering. S.G.B. © AudioFile 2023, Portland, Maine

MARCH 2023 - AudioFile

2022-12-24
A new novel from the man who wrote Swing (2005), Where the Truth Lies (2003), and “Escape (The Piña Colada Song).”
When Cliff Iverson tries—and fails—to murder his toxic boss, he is apprehended almost instantly. But instead of taking him down to the station, the “cops” who catch him whisk him away to the McMasters Conservatory for the Applied Arts. Set in a secret location, this very exclusive institution boasts a bucolic campus, three (unpublished) Michelin stars, and a comprehensive education in assassination. Cliff is there as a scholarship student, and much of the novel is addressed to the benefactor who made it possible for him to become a more effective murderer. There are also entries written by faculty and administrators as well as scenes following the educations of Dulcie Mown and Gemma Lindley, two other students. Once Cliff, Dulcie, and Gemma graduate, we follow them into the world as they scheme to complete their thesis projects—that is, as they attempt to “delete” their targets. There are a lot of genres happening at once in this novel. The debt to British boarding school stories is obvious, although the vibe is very different when the students aren’t adolescents finding themselves and their places in the world but, rather, full-grown adults playing water polo and enjoying sumptuous meals as they learn best practices for taking lives without getting caught. The journeys of Cliff, Dulcie, and Gemma unfold like mysteries in reverse. And, while the story is set in the 1950s, the plot and dialogue are much indebted to the screwball comedies of the 1930s. If this sounds like a lot, that’s because it is a lot. Everything about this book is a lot—if not too much. Holmes asks readers to suspend disbelief from the get-go, and he just keeps asking for more blind credulity as the narrative advances. Maybe more significantly, Holmes seems incapable of passing up an opportunity to be cute or clever. There are so many puns. This tendency slows the narrative in a way that almost invites readers to look for plot holes, of which there are many.
Fun for readers who think that murder is cute.

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